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As viewers, we might be more invested in how these characters worked out their grievances if we better understood what inspired them.
The director offers teasing flashbacks to the characters’ youths, where Malick-like scenes of play brush against more nightmarish shots of a house aflame and her dialogue talks around the murder instead of addressing it head-on. But Radiant City often reads like the kind of film in which a decades-old crime winds up not being what it seems, or where the convicted party actually took the fall for someone else. Isn’t Michael the one to blame? Did Andrew do something wrong? Lambert says her film was inspired by true stories of those who’ve turned family members in for terrible crimes. It also borrows star Michael Abbott, Jr., one of Shotgun‘s conflicted brothers. Lambert’s serious-minded debut is produced by Jeff Nichols, and though it doesn’t seethe in the way his own debut Shotgun Stories did, it shares that film’s preoccupation with the power of blood ties. Having caused a rift by testifying against his brother years ago in a murder trial, a man must now decide whether to participate in his parole plea but how far that will go toward repairing things is unclear, and an already complicated patchwork of resentments and betrayal is about to be muddied further by unpredictable circumstance. A broken family considers reconciliation as if it were testing the severity of a deep bruise in Rachel Lambert’s In the Radiant City.